Archive for the 'Movie Reviews' Category

THE EMOTIONAL ROLLER COASTER THAT IS STAR TREK INTO DARKNESS: A REVIEW

Terror strikes and the grieving crew of the Enterprise attempt to hunt down a master criminal while working through some serious trust issues. During this whirlwind hunt, Captain Kirk (Chris Pine, Unstoppable), Officer Uhura (Zoe Saldana, Avatar), and First Officer Spock (Zachary Quinto, American Horror Story) attempt to make amends after their last mission went wrong. This setting of distrust is a plot device that propels the film forward through it’s tumultuous plotline. I wasn’t even sure who the antagonist was for the first two thirds of the film, is it someone from Star Fleet? Is it a super human? IS IT THE ENTERPRISE ITSELF?!

Every character, old and new, gets a piece of the action. The elevated role of secondary characters from the first movie was refreshing, with Scotty (Simon Pegg, Hot Fuzz), Sulu (John Cho, Harold & Kumar), and Bones (Karl Urban, Lord Of The Rings) all having their own spotlight moments. The acting was superb; Benedict Cumberbatch (Sherlock) is AN ACTING GOD. I have never rotated so rapidly and so frequently between loving and loathing a character as I did with John Harrison.

The visual effects were also absolutely stunning. I actually cowered in my seat during several action scene. If you can spring for 3D, go for it, but I imagine the film would be just as aesthetically pleasing in the traditional viewing format.

I’m sorry this review is so nonspecific but this film is difficult to write a review about because any mention of a specific plotline will ruin the effect of going into the movie blind. Trust me. Go see this film. Don’t read the Wikipedia page, go straight to the theater. I brought my Trekkie grandmother who hasn’t seen a 3D movie since the 1950’s and she wouldn’t go see the first revival because William Shatner wasn’t in it.  BUT SHE ADORED STAR TREK INTO DARKNESS. SHE WAS ECSTATIC. She definitely was not the only one: AN ADULT MAN IN A STAR FLEET UNIFORM THAT WAS SITTING BEHIND ME IN THE THEATER STARTED SOBBING. EVERY TEN MINUTES EVERY PERSON IN THE THEATER BROKE INTO APPLAUSE. THERE WASN’T EVEN THAT MUCH CLAPPING IN THE FINAL HARRY POTTER FILM. ACTUALLY, MOST PLAYS THAT I’VE ATTENDED HAVEN’T RECEIVED THAT MUCH APPLAUSE.

Seriously, just go see this film.


 

 

The Great Gatsby: Luhrmann’s Own

After watching director Baz Luhrmann’s Great Gatsby, there is no mistaking that it is Luhrmann’s piece. Like Moulin Rouge and Australia, he has placed his distinct cinematic stamp on the piece and, regretfully, made the piece his own. Don’t get me wrong, I really enjoyed the movie, and his dreamsape-esque style serves the story well, but his deviations from the book served no purpose.

In Luhrmann’s adaptation of F. Scott Fitzgerald’s famous novel, Caraway is writing the book from St. Paul, Minn. but, rather than writing it from a residence as the book suggests, he is currently being treated in a Sanitarium for a whole host of defects Caraway does not officially have. The writing device allows for Luhrmann (who co-adapted the screenplay with Craig Pearce) to include some of Fitzgerald’s most poetic passages. However, it also allows Luhrmann to include narration that was never written in the book as if it is Fitzgerald’s own words. These changes of Luhrmann’s and other similar changes simply confuse me as they do not serve to further the plot or condense the story as you might expect. Instead, they simply alter the characters ever so slightly. For example, the literary Caraway drinks far less than Maguire’s film personification.

Despite the changes in his character, Toby Maguire (Spiderman, Pleasantville) did a wonderful job as everyman and Midwesterner Nick Caraway. In fact, the whole cast was phenomenal – though I still cannot concede that any performance of Gatsby can compare to Robert Redford’s 1974 portrayal. Still, DiCaprio (Inception, Revolutionary Road) was the best choice and by the end I had accepted him as the elusive Jay Gatsby. While each member of the cast was amazing, no performance rivaled that of Carey Mulligan’s Daisy. Mulligan (Drive, Never Let Me Go) brought Daisy to life perfectly, as if she had simply walked of the page.

Further, in what I believe is a nice attempt to show the timelessness of The Great Gatsby, Luhrmann decided to incorporate a great deal of modern sounding music. While it was a nice idea – it fell a bit flat and instead pulled me out of the story. Despite the anachronistic music, the art and cinematic style of Luhrmann’s film was simply gorgeous. This was the most beautiful film I have seen in a long time.

I appreciate Luhrmann’s attempt to bring a faithful rendition of such a well-loved classic back to prominence, and his embracing of the symbolism – I simply wish he’d stayed a little more faithful. In short, like Gatsby himself, this movie was wonderful and larger-than-life – but it could have been so much more.

By all means, go, enjoy Luhrmann’s beautiful rendition, then do me, and yourself, a favor and go read, or reread The Great Gatsby.

Iron Man 3 — The Must-See Movie of the Weekend

Robert Downey Jr. and Marvel are back at it again!! Iron Man 3 is the must-see movie of the weekend, ONLY if you love action-packed movies, witty humor and a well put together plot. The movie, which picks up from Marvel’s The Avengers, is filled with more action than any of the previous movies in the series. The action is not reserved primarily to Iron Man, as we see in this installation that many of the other characters get in on the action.

The plot includes Tony Stark, the man behind the Iron Man suit, experiencing anxiety due to him almost dying towards the end of The Avengers. At the start of the movie, Tony Stark recalls a moment in his past where he unknowingly created an enemy. The enemy, a terrorist named Mandarin, stages a series of attacks while on a mission to control the war on terror. Mandarin is backed up by “super militants” that experience amazing physical abilities, due to a biotechnological alteration in their DNA.

Mandarin decides that Tony Stark must be destroyed after he declares, in his normal arrogant fashion, that he will seek revenge for his close friend and former body guard, Happy, being injured in an explosion. From this point on in the movie, the plot unfolds until a twist in is revealed. While the story unfolds, it becomes evident that Pepper Potts will play a larger role in helping Tony Stark foil his nemesis than she has in the past, while still being the proverbial damsel in distress.

Overall, the movie receives two thumbs up. This is not a movie to wait until it comes out on DVD to see. It will have you sitting on the edge of your seat, with your jaw dropped for a good portion of the movie.

42: Built to Last

Jackie Robinson: Built to Last, a man who can handle the pressure, the threats, the insults. This is the primary theme of a new film, 42, from writer/director Brian Hegeland (A Knight’s Tale) It’s a theme that you could apply to this Jackie Robinson biopic – I’d wager it, too, is a film built to last. Chadwick Boseman (Persons Unkown) is fantastic as Jackie Robinson, the first colored man to play national league baseball.

I could go through a laundry list of particularly good aspects of this Robinson biopic, But I would likely include the entire credits. A few honorable mentions: the casting, rounded out by Harrison Ford (Star Wars, Bade Runner), Nicole Beharie (Shame) and Andre Holland (1600 Penn) was superb. Every single actor brought their character to life and, aided by the cinematography and sound effects, created a truly engaging picture of these defining two seasons in baseball history.

The only real criticism I have of the Robinson biopic is that at 2 hours and 2 minutes in length the picture felt a bit too long. To be fair, as an editor myself, I didn’t see much opportunity to cut it down. For the amount of material the film covered, it was largely necessary and the length served to properly develop not only the plot but the characters and their relationships.

Sports fan or not, the film is fun, interesting and engaging – and that is outside of The Cardinals’ good amount of screen time. All in all: 42 is film built to last.

42 opens in theaters on Friday, April 12.

A Skeptical Review of The Place Beyond The Pines

I read the blurb for The Place Beyond The Pines and was apprehensive. I watched the trailer for this film and was psyched. I watched the film and am now emotionally exhausted. I can’t figure out how I feel about this three-part film. The first forty-five minutes are a borderline obscene whirlwind of Luke (Ryan Gosling, Drive), a motorcycle stunt driver, attempting to be a good dad to his newly discovered infant son with an old fling, Romina (Eva Mendes, We Own The Night). Heartwarming, right? Not really, since Luke’s response to his new found financial need is robbing banks. On his motorcycle (I’m still trying to get over the fact that Ryan Gosling may have the world’s least menacing robber voice. He sounds like a prepubescent boy while screeching orders at frightened bank tellers, which may have been an attempt to portray the desperate psyche of Luke.). The amount of adrenaline and hyper masculinity stuffed into this segment is almost too much, giving the impression that there was probably a specific market kept in mind over plot value.

Just when I was about to brush off this Derek Cianfrance (Blue Valentine) helmed flick, enter Bradley Cooper (Silver Linings Playbook) as ‘rookie’ cop Avery Cross, the saving grace for this slightly contrived plot line. Avery effectively ends Luke’s robbery spree but must deal with the ripple effect it has on his life at work and especially at home with his wife (Rose Byrne, Bridesmaids) and infant son. There’s police corruption, drug abuse, and father son bonding shoved before awkwardly segueing into the final segment, which takes place fifteen years later with Avery running for Attorney General and family drama stirring up.

I admire the ambition of the three-part story arc attempted in this film. The cinematography is lovely; the acting is excellent (especially on Cooper’s part), but the script just does not click. This may be attributed to the constant rotation from emotionally charged and fired up to almost softly dull and monotonous. Regardless of my qualms with the script and my exhaustion from the experience, this film is stimulating in an emotional way and movies that are successful in evoking this sort of poignant reaction and having cool theatrics are hard to come by as of late. I would recommend that viewers give The Place Beyond The Pines a try.

Admission is Worth the Price of Admission

A new romantic comedy debuts March 22 but when I say new – I mean it. This fun flick takes a few unexpected turns as we follow Portia (Tina Fey – 30 Rock, Date Night) through her delightful and quirky dorkiness. An added plus, Lilly Tomlin as Portia’s militant feminist, and completely un-nurturing mother. Each member of the cast fit together seamlessly weaving a serious, quirky, comedy about family, the college admissions process, and the differences in people.

The story follows Portia Nathan, a top admissions officer at Princeton vying for the top slot when the team’s leader, played by Wallace Shawn (The Princess Bride, Toy Story) retires at the end of the year. One possibility to up her game is to add Quest, a new developmental charter school in her territory. While visiting, Headmaster John Pressman (Paul Rudd – The Perks of Being a Wallflower, Role Models) reveals that he thinks a prospective applicant is the son she gave up for adoption 18 years ago. The chaos spirals from there.

I don’t want to give too much away but gentlemen, and those ladies who generally dislike Rom-Coms, if you must be dragged to a romantic comedy – choose this one. I promise it won’t be too painful.

Here is the trailer:

Superbowl: Movie Madness

The Superbowl. A nation wide sporting event pitting two football teams against each other to determine who will be the ultimate victor…..and the expectaion of fantastic new advertisments. Many of the most anticpated films of the year took advantage of this opportunity to capture the nation’s attention and aired promos…with more come on the internet. We at SLU-TV going to bring you all the extras to these exciting promos.

First off, Iron Man 3. This continuation of the Marvel superhero’s journey continues on May 3 so Marvel found the superbowl the perfect chance to wet our appatites promising an extended look to thier partial promo online. We have that cheeky extended look below.

I must say, with every new piece of footage this movie looks more and more interesting, and intense.

Next comes another action flick. Fast & Furious 6 is roaring into theaters at full throttle on May 24. If you missed the new fast-paced teaser, never fear! We’ve got that one too.

Not only did Universal release a teaser, they also released this beauty:

Pretty snazzy graphics, eh?

Last but certaintly not least, Star Trek Into Darkness. J.J. Abrams and crew have finally put the finishing touches on the next enstalment of the Star Trek saga and audiences will once again be able to travel where no man has gone before on May 17. Paramount released not only a new teaser trailer, but also an app. More on the app in a minute, first, the teaser:

Now, the app. Paramount, in partnership with Qualcomm, have realeased a Star Trek Into Darkness app that will “enable fans to partake in real-world scavenger hunt missions, interact directly with material from the film and earn rewards.” Now what exactly does that mean? Essentially, if you download the app and scan the audio, or picture for a print ad, of any all Star Trek promos you see, you can unlock exclusive content and rewards, plus each user gets the chance to win a ticket to the movie’s U.S. premire. The app is now availible to download free from iTunes and the Android store.

So, what was your favorite movie promotion from the Super Bowl? What movies are you looking forward to in 2013?

Rise of the Guardians: Movie Review

Rise of the Guardians

Written by: Olivia Fugate

As the holiday season approaches we will all start to see more Christmas movies appearing on television, more seasonal music on the radio, and of course the holiday aura that millions of people take on as they partake in the season of friendship and sharing. Rise of the Guardians is a film from DreamWorks animations, the creators of the successful and popular films How to Train Your Dragon and Shrek. This film follows the story of our beloved and well know childhood heroes; Santa Claus, The Sandman, The Easter Bunny, and The Tooth Fairy. These individuals have formed a group known as the Guardians, and function much like the Avengers or The Justice League.

Due to the fact that these characters are so well known the film focuses on the entry of a new personality. The film begins with a boy, a frozen lake, and the moon. The boy explains, his name is Jack Frost (voiced by Chris Pine)—he knows this because the moon told him so, but he knows nothing of how or why he is here. He quickly realizes that he has the power to create ice and snow and that nobody can see or hear him. The film skips into the future three-hundred years to Santa’s workshop and the older viewer quickly realizes that this film may not be as completely predictable as they had originally thought. Santa Claus (Alec Baldwin) is a tattooed man with a thick Russian accent and furry Russian cap atop his head surrounded by Yeti monsters making toys with elves the size of his shoes getting underfoot. Suddenly a horrifying monster called Pitch (Jude Law), or the Boogeyman, appears threatening to turn all the dreams of children into frightening nightmares.

Santa gathers his fellow Guardians together; Bunny (Hugh Jackman) a boomerang-wielding Hare with an Australian accent, Tooth (Isla Fisher) a hummingbird-fairy type mix, and Sandy a small, mute who communicates through floating sand pictures above his head.  In order to stop Pitch the Guardians are going to need the help of an unwilling and still lost Jack Frost, to assist them before children stop believing in them, or magic forever.

Though the moral of the story can come off as heavy handed at times this movie is still bursting with life and a sense of uniqueness thanks to its memorable characters and gorgeous animation. This film has its humorous moments as well, this humor is the result of movie-related jokes that even young children will be able to grasp. However, it may be important to remember that this film is rated PG due to the fact that some of the darker fights with Pitch may be genuinely frightening for very young children. As with many Holiday movies the nice message of imagination and friendship is probably something that’s nice to be reminded of every once in a while, and if you’re looking for something enjoyable and kid-friendly I would definitely recommend seeing this movie with your family.

Lincoln: Movie Review

Written by Christian Lees

Lincoln

Steven Spielberg’s “Lincoln” is a historical film that focuses on the later life of one of America’s most beloved presidents, Abraham Lincoln. It is 1864, and President Lincoln, played by Daniel Day-Lewis, is attempting to end the Civil War and abolish slavery by passing the 13th Amendment. This is not a Lincoln at his highest, but him at the most critical point of his presidency. Calculating the number of votes he
will need for the Amendment to pass through the House, Lincoln has a lot of convincing to do if he wants to reach his goal. In the midst of political disputes, Robert Todd Lincoln, played by Joseph Gordon-Levitt, tries to convince his mother and father to let him join the Union Army.

Day-Lewis’s Lincoln looks and sounds like the Lincoln we know from history. From his seriousness in the Cabinet’s war room to his anecdotes used as comic relief, the viewer is taken back to the place and time period of one of the most important moments of American history. While I cannot verify that everything is one hundred percent historically accurate, the movie’s events match up with my little knowledge of our sixteenth president. The orchestral score and slow-moving camera pans set the tone for this film. Spielberg immerses the viewer in the time period, no frills attached.

“Lincoln” doesn’t try to soften up the Civil War; it shows a true representation of the character of Abraham Lincoln, both the struggles and the humor. A lot is expected from a Spielberg film, and “Lincoln” lives up to those expectations. The combination of fantastic actors, director, and
screenplay makes “Lincoln” a must-see for history buffs and Spielberg fans alike. 4 out of 5 stars.

Seven Psychopaths: Movie Review

Written by Gabe Kovacs

Seven Psychopaths

Seven Psychopaths, written and directed by Martin McDonagh, is about a struggling alcoholic screenwriter, Colin Farrell, who finds himself mixed up with the incredibly violent Los Angeles criminal underworld when his friend, Sam Rockwell, steals a gangster’s Shih Tzu. This film is by far the most gruesome and gory one that I have ever been able to laugh so hard at. There are scenes that make you cringe and cry all at once because it is so gross and hilarious at the same time. There are plenty of thoughtful and meaningful moments within the movie that reflect on life, death, and the innate human interest towards violence, and it is moments like this that take this movie from being a silly over the top violent comedy to one that brings up a point and causes the audience to think a bit. The comedy is quite dark so if your one for the more lighthearted, family-friendly type of comedy’s then this isn’t really your movie; however if you don’t mind seeing a bloodbath that is really just used to make you laugh at how terrible it is, then keep reading.
I loved this movie; it is as plain as that. With a cast like Colin Farrell, Sam Rockwell, and Christopher Walken, to name but a few, you know the acting was top notch so there’s no reason to hang on that subject. McDonagh, on the other hand, has only written and directed twi other feature length films, so how was his work? Phenomenal! Not only was his action writing thrilling, but the dialogue was incredibly interesting and engaging. If you find your self with some free time and a few bucks, or just want a nice break after midterms, go and see this movie. I assure you it won’t disappoint.